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导演高群书的电影创作总是在戏剧性的现实和现实性的戏剧交织中完成,因此,他和他的电影一起能成为中国电影创作分析的个案。继《风声》之后,新作《西风烈》是其“风字头系列”电影的第二部,对于自己无心插柳“兴风而起”的系列电影,高群书始终对媒体和公众保持一贯的“电影试验”口径。在他看来,“风”系列电影是他商业电影实践的实验性作品,关于这种试验背后的人生风雨,创作过程带有传奇性的经历,都是他人生的经验;他真正要做的事情是为中国商业电影的创作提供有价值的参考。关于新片《西风烈》,这个故事走过秋冬初春,故事的波折和季节的气质竟然有惊人的契合,在此,我们借助四季的长度,将故事的时间丈量。
Director Gao Qun-shu’s filmmaking is always done in the drama of dramatic reality and reality, so together with his film he can become a case analysis of Chinese film creation. Following the “Wind”, the new work “West Wind Lie” is the second part of its “wind character series”, for his inadvertently inserted into the “rising” series of films, high book always on the media and the public Maintain consistent “movie test” caliber. In his opinion, the film “Wind” is an experimental work of his commercial film practice. The storm of life and the legendary experience of the creation of this experiment are all aspects of his life experience; he really wants The thing to do is to provide a valuable reference for the creation of commercial films in China. On the new film “West Wind Lie”, this story through autumn and winter early spring, the twists and turns of the story and season temperament actually surprisingly fit, here, we use the length of the four seasons, the story of the time measurement.