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林宋瑜(以下简称林):在我的记忆中,中国批评界关于“个人化写作”这个词语最初来源于1996年第1期《大家》杂志王干与戴锦华的一篇对话:“女性文学与个人化写作”。在这篇对话中,王干把你、林白和海男称为90年代出现的“新三巫”。他认为当时你们操持的语言、描写的素材都与过去的女作家们不太一样了,是“那种精神和肉体的自我撕裂。……陈染《与往事干杯》也带有这种自己撕开血肉的特点。”王干说这番话时,是你在文坛风头正健的时候。1995年也是中国妇女年,因为世妇会在中国召开。那前后几年,文学界是女性文学、女性作品热,关于女性主义、性别写作的讨论也相当热烈。你的作品非常被关注。时间过去十年了,你如今回头看,是如何自我评价当时的写作状态的?
Lin Songyu: In my memory, the term “personal writing” in Chinese critics came from the first episode of “Everyone” in January 1996: Wang Qian and Dai Jinhua: “Women’s Literature And personal writing ”. In this dialogue, Wang Gan described you, Lin and Kazuo as “the new Three Wizards” that emerged in the 1990s. He believes that at that time, the language you were practicing and the materials we were describing were all different from those of the past female writers, who were “self-tearing of that spirit and body.” Chen Ran’s “Cheers with the Past” Tear off the characteristics of the flesh. "Wang Qian said these words, when you are in the limelight of the literary world. 1995 is also the year of Chinese women, because the Womens Conference will be held in China. A few years before and after, literary circles were women’s literature, women’s works were hot, and discussions on feminism and gender writing were quite enthusiastic. Your work is very much concerned. Over the past ten years, you now look back and see how self-evaluation of the writing state at the time?