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孔子曾经提出一个重要的文艺和美学思想——文质观,其核心之点是“文质彬彬”。这一观点不仅用来表现孔子的审美理想,也对人的内在品德修养和外在言行举止作了品评的定位。同时随着后人对其不断的研究和开拓,这种儒学精神在传统绘画中赋予了画家和作品更多丰富的内涵和鲜明的时代内容。本文试从“文质”观的哲学概念展开,去探索中国绘画所蕴含的“文质彬彬”的意义指向,强调在绘画中所表现的对象都是不可分割的整体,维持彼此平衡,文质一体,从而达到尽善尽美的要求。
Confucius once put forward an important literary and aesthetic thought - the concept of quality. The core point is “gentle ”. This point of view is not only used to show the aesthetic ideal of Confucius, but also made a comment on the intrinsic moral character and external demeanor of man. At the same time, as the descendants continue to research and develop on it, this Confucian spirit has given the painters and works more rich connotations and distinctive times contents in traditional painting. This article tries to explore the meaning of “Wen Bin Bin” contained in Chinese painting from the philosophical concept of “Quality”, emphasizing that the objects represented in the painting are all indivisible and maintain the balance of each other, The quality of one, so as to achieve the perfect request.