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园林由于其构成要素——植物的生命周期而具有朝生暮死的属性,同时,随着人们的时尚、其性质的改变和气候的变化而呈现出不同的面貌。从十八世纪开始,人造田园的阿卡迪亚风的蔓延,不仅改变了当时的皇家园林范式,并且迅速普及为一种广泛的造园运动。几何对称原理同专制体制密切相关,拘泥的形式表现了王室统治的严谨。当遍及不列颠和欧洲大陆的方尖碑与棚架类建筑被连根拔起焚毁时,代之而起的是一系列“自然”的远景和古典的田园风光。英国的园林在逐渐成为一种附加了美学意味的样板时,其中蕴含着的创造性想象
Because of its constituent element - the life cycle of plants, the garden has the characteristics of life and death. At the same time, the garden presents different appearances with the changes of people’s fashion, its nature and climate. From the eighteenth century onward, the spread of the Arcadia in the man-made pastoral garden not only changed the imperial garden paradigm of the time, but also spread rapidly into a wide range of gardening movements. The principle of geometric symmetry is closely related to the autocratic system, and the rigid form shows the strictness of royal rule. When the obelisks and scaffolding buildings across Britain and Europe are uprooted and burned, they are replaced by a series of “natural” vistas and classical pastoral scenery. The garden in England is gradually becoming a kind of aesthetic imagination attached to the model, which contains the creative imagination