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在江湖中磨砺相声艺术“没有侯宝林就没有今天的相声艺术。”为什么呢?在侯宝林之前,以娱乐都市平民挣饭吃的相声艺人散落在下层社会最不受关注的边边角角,他们以“荤口”小技搞笑人生,在新中国成立的时候,统统在清除之列。用侯宝林先生的话说:“那时候,相声艺术到了绝境。”1929年,十二岁的侯宝林在古老而颓废的皇城,忍受着饥荒。不得已,家里送他去学戏。学戏是学一种手艺,当然也是一种教育。学戏,还要家里给老师写字据,字据近似“卖身契”。字据上写“投河溺井,死走逃亡,
Sharpening comic art in rivers and lakes ”Without Hou Baolin, there is no art of comic dialogue today.“ Why? Before Hou Baolin, the crosstalk artists who earned their meals with entertainment urban civilians were scattered in the corner of society, Horn, they ”funny mouth“ gadget funny life, when the founding of new China, all in the clear list. In the words of Hou Baolin: ”At that time, the art of comic dialogue came to an end.“ In 1929, the 12-year-old Hou Baolin endured famine in the ancient and decadent imperial city. Last resort, the family sent him to school. Learning to learn is a craft, of course, is an education. School play, but also to the teacher at home to write the text, the word approximation ”sell deed “. Written according to write ”drowned wells, died to flee,