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中国画十分讲究款题艺术。这种现象在西方绘画艺术中从来没有过。款题是我们民族传统绘画特有的表现形式,也可看作是将诗、文、书、印引入画面的艺术手段,即诗书画印的巧妙结合,构成了中国画独有的艺术特色。大画家黄宾虹曾说过,“中国画有三不朽”,其中就有“诗书画合一不朽也”:我认为,尽管中国画的款题艺术表现多样,但画上题诗更为重要,诗乃画的内涵,画乃诗的外现。古人云:“诗是无形画,画是有形诗。”诗画结合,相得益彰。苏东坡评价王维“诗中有画,画中有诗”,恰好道出了这一奥妙。画上题诗,历来被人重视。画不足,诗补之,画给诗留出想象空间,而诗将画引向更高境界,诗画并举,相映生辉,形成中国画一道亮丽的风景。
Chinese painting is very particular about title art. This phenomenon has never been seen in western painting art. The title is a peculiar manifestation of our national traditional painting. It can also be regarded as an artistic method of introducing poetry, literature, books and printing into the picture. That is, the ingenious combination of poetry, calligraphy, painting and printing constitutes the unique artistic feature of Chinese painting. The great painter Huang Binhong once said that “there are three immortal Chinese paintings,” among which there is “immortality in poetry, painting and painting”: In my opinion, although the title art of Chinese painting is varied, Connotation, painting is the appearance of poetry. The ancients said: “Poetry is intangible painting, painting is physical poetry.” Poetry and painting combine to complement each other. Evaluation of Su Weipu Wang Wei “poem in the painting, painting in the poem,” just revealed this mystery. Drawing on the poem, has always been valued. Insufficient painting, poem supplement, painting to the poetry to leave room for imagination, and poetry will lead to a higher realm of painting, poetry and painting simultaneously, complement each other to form a beautiful landscape of Chinese painting.