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20世纪西方美学的流派众多,大体上可以分为人本主义美学和科学主义美学两大思潮。人本主义美学以人学为基础,强调人在审美中的主体和主体地位,现代人本主义美学的反理性主义的色彩比较浓,是对传统的黑格尔的以理性主义为特征的人本主义美学的反动。现代科学主义美学的思想基础是经验主义和逻辑实证主义。其中包括杜威的实用主义美学。这两大美学思潮也不是截然对立的,它们相互借鉴、相互吸收。总的来说,20世纪以来的西方美学呈现多元化的局面。当代西方的信息技术已经并且更加广泛地渗透到了社会经济生活的各个方面,改变着人们的生活方式和观察世界的方式,推动着人类社会由工业社会迈入信息社会。
There are many schools of western aesthetics in the 20th century, which can be roughly divided into two major currents of humanistic aesthetics and scientifical aesthetics. Humanistic aesthetics is based on humanity, emphasizing the subject and subject’s position in the aesthetic. The anti-rationalism of modern humanistic aesthetics is relatively rich in color, which is a feature of the traditional Hegelianism characterized by rationalism The reactionary reaction of this esthetic aesthetics. The ideological foundation of modern scientific aesthetics is empiricism and logical positivism. Among them are Dewey’s pragmatic aesthetics. Neither of these two major aesthetic currents are quite diametrically opposed. They learn from each other and absorb each other. In general, the Western aesthetics since the 20th century showed a diversity of situations. Information technology in the contemporary West has permeated and more extensively penetrated into all aspects of social and economic life, changed people’s way of life and observed the world, and promoted the advance of human society from an industrial society to an information society.