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近几年大多数书法作者取法古代经典作品,特别是二王一脉行草书风大行其是,书坛整体水平因此提高,我想方向是对的,而且那些比较成熟的中青年名家的个人面目也是明晰的。但由于当代展览的特定视觉要求,投稿作者的基本阵容变化不大,加上对获奖作品的盲目跟风,造成了入展作品风格的阶段性趋同,特别是对作品形式的过度追求引起了集体焦虑,这次评选对此类作品特别是模仿拼贴的小字作品有所抑制,格外关注大字
In recent years, most calligraphers take the ancient classics, especially the two kings and one cursory style of writing a monuments, the overall level of the book so improve, I think the direction is right, and those more mature young and middle-aged individuals The face is also clear. However, due to the specific visual requirements of contemporary exhibitions, the basic lineup of contributors did not change much, and blindly following the award-winning works resulted in the gradual convergence of the style of the exhibition works. In particular, the over-pursuit of the works caused collective anxiety , This selection of works such as imitation collage of small print is suppressed, with particular attention to characters