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初唐的楷书继承着隋碑遗韵,又受六朝碑版和晋书之影响,更多地接受了王羲之楷书的神髓,于是综合融化,承前启后、产生了长足进步的初唐楷书风貌。开“唐人尚法”之先河,讲法度、重结体、论笔法,可谓巨细皆精、苦心孤诣地各走一门,形成了楷书诸大家。除集大成里程碑式的欧阳询、虞世南、褚遂良、薛稷四大书家外,还有陆柬之、钟绍京、欧阳通、裴守真、王知敬、王行满、畅整、赵模等楷书名家,形成了初唐楷书群体之高峰、为后世书风产生巨大影响。
In the early Tang Dynasty, the regular script inherits the charm of Sui Dynasty, and is influenced by Wang Bei’s version and Jin Book. It has accepted the essence of Wang Xizhi’s regular script more and more. Open “Tang people still law ” precedent, rhetoric, re-analysis, on the stroke, can be described as the size of all fine, painstakingly walked one by one, forming a regular script all the people. In addition to the landmark milestone Ouyang Qu, Yu Shinan, Chu Sui-liang, Xue Ji four books, there are Lu Jian, Zhong Shaojing, Ouyang Tong, Pei Shouzhen, Wang Zhijing, Wang Xingman, smooth, Zhao moder Kaikan famous, formed The peak of regular script group in the early Tang Dynasty exerted a tremendous influence on later generations of calligraphies.