中国传统乐理核心基础概念辩析——五声性音阶与调式

• 作 者: 王菊玲
• 机 构: 河南大学艺术学院,
• 出 处: 大众文艺
• 发表日期: 2013年20期
• 关键词: 乐理 五声性音阶 七声音阶 调式

中国传统乐理与西方乐理虽同为音乐基础理论,但由于中西方音乐思维方式和方法不同,从而导致中西方音体系存在诸多相异之处。本文以五声性音阶与调式为例,详细阐释并辨析中国传统乐理的核心基础概念,从而进一步得出结论:中国乐理以七声为背景,西方则以七声为平均。

Although both Chinese traditional music theory and Western music theory are the basic music theory, the differences between Chinese and Western music thinking modes and methods lead to many differences between the Chinese and Western phonological systems. Taking the pentatonic scale and modality as examples, this paper explains and analyzes the core basic concepts of Chinese traditional music theory in detail, and then draws a conclusion: the Chinese music theory takes the seven sounds as the background and the western one uses the seven sounds as the average.