论文部分内容阅读
明代中叶,皖南的徽州成为中国商业、文化的中心之一。徽商“名噪四方”、“盛艳天下”,素有“无徽不成镇”的声誉。而徽商的勃兴,经济的发展,使徽州的戏曲演出活动,达到了空前繁荣的局面,供班社登台献艺的各种各样的戏台也就应运而生了。 明崇祯年间,歙县县令傅岩就有“徽俗最喜搭台观戏”的记载。明末清初的文学家张岱在《陶庵梦忆》中写道:“余蕴叔演武场,搭一大台,选‘徽州旌阳’戏子,搬演‘目连’,戏子献艺台上。”汪效倚撰《徽班与徽商》中云:万历二十八年春天,徽州府邑城东郊迎春赛会上,仅戏台就有三十六座,登台表演的有从吴、越请来的名优,也有徽州本地艺人组成的班社,盛况空前。就连饱览过全国各地名班演出的戏曲理论家潘之恒,也大为赞叹:“从来迎春之盛,海内无匹,即新安亦仅见也。”从这些记载可以看出,徽州的古戏台宛如群星灿烂,溢辉流彩。 古戏台大体上有“万年台”与“临时台”两种。”“万年台”一般建在财丁兴旺的城乡,与宗
In the mid Ming Dynasty, Huizhou in southern Anhui became one of the centers of business and culture in China. Huizhou merchants “fame Quartet”, “Sheng Yan world”, known as “no emblem does not become a town” reputation. The boom of Huizhou merchants and economic development have brought unprecedented performance to the opera performances in Huizhou, and a variety of stages for the clubs to perform on stage have come into being as well. Ming Chong Zhen years, Xu County magistrate Fu Yan has “the most popular off the stage view of Taiwan” record. In the late Ming and early Qing dynasties, writer Zhang Dai wrote in Tao Tao Meng Yi, “Yu Yunshu performed the battlefield, took a large stage, selected the actor” Huiyang Jingyang “, and performed” Mesh “with the opera stage. Effective reliance on the ”emblem classes and Huizhou merchants“ in the cloud: Wanli twenty-eight spring, Huizhou Prefecture eup, the eastern suburbs Yingchun race, there are only 36 sets of stage, stage performances from Wu, the more famous invited , There are also local artists in Huizhou club, unprecedented. Even the theater theorist Pan Zhiheng, who even enjoyed the famous class performances in various parts of the country, praised him: ”The Spring Festival has never been so popular, that is, Xin'an has only seen it.“ From these records, it can be seen that the ancient stage of Huizhou is like Bright stars, Yi-feng Liu Cai. Ancient stage in general there are ”years station“ and ”temporary station“ two. ”“ Years station ”is generally built in the wealthy urban and rural areas, and cases