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随着《孔子诗论》等一批竹简的出土,孔子重情思想得到了学界越来越多的关注。出于对人生命意义的体证和选择,孔子提出了具有超越性的仁的情感本体论。仁的自然情感根基和道德指向规定了诗乐的感性情感属性和生发的方向性。而孔子诗乐艺术又反过来塑造了仁的情感,美又成为仁的基础。仁与美在一种互为基础、相互生发的关系中,实现了生命向“天命”的情感超越。
With the excavation of a batch of bamboo slips such as “Confucius Theory of Poetry”, Confucian thoughts of reluctance received more and more attention in the academia. Out of the physical meaning and choice of life, Confucius proposed the Ontology of Emotional Ontology with transcendental benevolence. The natural emotional foundation and moral orientation of benevolence define the emotional and emotional properties of the poem and the direction of the hair. The art of Confucius poetry and music in turn shaped the feelings of benevolence, and beauty became the foundation of benevolence. Benevolence and Beauty realize the emotional transcendence of life to “Heavenly Destiny ” in a mutual and mutual relationship.