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从南京市区赶到南京大学的仙林校区,来回需要3个小时的时间。在去往南大仙林的地铁上,同往的女友抱怨着路途的遥远,我也对这场话剧充满不确定感。6年前在南京的人民大会堂,观看香港导演林奕华的话剧作品《包法利夫人》,就曾因为忍受不了它的过度插科打诨和娱乐化解构而提前退场。这6年时间里,我有幸观看到《岁月神偷》、《桃姐》、《在流放地》等优秀的香港现实主义题材的电影作品,但对于香港话剧,一直还心存偏见和疑惑。这一次
Nanjing City, rushed to the Xianlin campus from Nanjing University, back and forth takes 3 hours time. In the subway going to Sinan Lin, the same girlfriend complained about the long journey, I am also full of uncertainty about the drama. Six years ago, at the Great Hall of the People in Nanjing, watching the drama “Lady Bovary” by Hong Kong director Edward Lam earlier departed because of its excessive gag and entertainment deconstruction. During these six years, I was fortunate enough to see the films of outstanding Hong Kong realist themes such as The Secret of Time, Peach Sisters and Exile, but I still feel biased and confused about Hong Kong’s drama. This time