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“演唱京剧是我的个人爱好,是作为炎黄子孙对国粹艺术的理解、欣赏和传承,也是对祖父的怀念。”——每次表演京剧节目前,我都会如此道白。 1978年秋后的一个下午,我放学回家,收音机里锣鼓喧天,琴声急促,一个黄钟大吕的男腔正与一个高亢嘹亮的女腔对白歌唱。我想转动旋钮换个节目,听得入神的祖父赶紧制止:“听了老半天,才听清是梅先生的《霸王别姬》。十多年了,终于听到原汁原味的京戏,不容易啊!”一向沉稳的祖父如此兴奋,如此全神贯注,我却一脸茫然,
“To sing Peking Opera is my personal hobby, as the understanding, appreciation and inheritance of the quintessence of Chinese art by Yan and Han dynasties as well as the memory of my grandfather.” “I will do that before every performance of Peking opera. One afternoon after the fall of 1978, I came home from school, the roar of the radio, the rapid progress of the piano, a male of Huang Zhonglu and his allegory to the female chamber of a high-pitched and polished voice. I would like to turn the knob for another program, hear the enchanted grandfather quickly stop: After listening to the old half-day, only to hear is Mei’s ”Farewell My Concubine.“ Ten years later, finally heard the original Beijing Opera, not Easy ah! ”Always calm grandfather so excited, so absorbed, I was blank,