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在清代的女性主题绘画中,不难发现,出现了一批与“书卷”和“文房四宝”息息相关的图画范式,这是一个值得探讨的现象。越来越多的研究表明,明清两代的文化氛围所启迪的是才德兼备的淑媛才女,以“才女”在历史上留下足迹的,比任何一个朝代都多,尤其是清代妇女,她们的诗情才华上承明代文学基脉,下继清代盛世繁华,这一时期有记载的女诗人数以百计,如嘉庆初,“许夔臣选辑《香咳集》,录各家妇女诗,少则一首,多则三五首,前缀小传,计凡三百七十五
In the feminine thematic paintings of the Qing Dynasty, it is not hard to find that there are a number of paradigms of paintings that are closely related to the Book of Records and the Four Treasures of the Four Treasures. This is a phenomenon worth exploring. More and more researches show that the cultural atmosphere of the Ming and Qing dynasties is inspired by both Shu-yuan and T’ai-talented women and men who have both virtue and virtue, and have left footprints in history more than any other dynasty, especially In the Qing dynasty, the women of the Qing dynasty, whose talented poetic talent inherited the literature of the Qing dynasty and succeeded the thriving life of the Qing dynasty. There were hundreds of female poets recorded in this period, such as ”Xiang Xiejiu" Records of women’s poetry, as little as one, as many as thirty-five, prefix biography, where Fan three hundred seventy-five