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毛泽东之于文学,因着政治家与诗人的双重身份,交替呈现出三种状态:纯粹的艺术欣赏——翻读《毛泽东手书古诗词选》即可印证,毛喜读唐诗中“三李”的作品,激赏“三李”中最少政治色彩的李贺的作品,都是千载之后诗心的感应“;作为观念形态的文艺作品,都是一定的社会生活在人类头脑中的反映的产物”,毛在延安文艺座谈会上的讲话中如是说,故特别看重《红楼梦》《阿Q正传》这样具有极高认识价值的艺术精品,对于自己所创作而有望成为艺术品的诗词则反复推敲,求之于人,一改再改;提倡“政治标准”第一,强调文艺的功利性,某种程度上要求文艺作品充当时代的传声筒。
Mao Zedong’s in literature, because of the dual identity of politicians and poets, showing three states alternately: purely artistic appreciation - read “Mao Zedong’s handwritten ancient poetry selection” can be confirmed, Mao Xi read Tang poetry “Three Li” , The works of Li He who appreciates the least political overtones in “Three Li” are the induction of poetic mind after thousands of years of existence. “Literary and artistic works as conceptual forms are all the products of social life reflected in human mind As Mao Tse-tung said in his speech at the Yan’an Literature and Art Symposium, it pays particular attention to such high-value art pieces as A Dream of Red Mansions and the True Story of Ah Q, and repeats the poems that he has created and is expected to become a work of art To promote the reform and reform; to advocate ”political standards" first, emphasize the utilitarian nature of literature and art, to a certain extent, demand that literary and artistic works serve as the soundtrain of the times.