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版画是艺术中的一门重要学科,版画在中国也有十分悠久的文化历史,但是目前我国学术界对版画的研究却还不够深入,主要表现在研究缺少系统性,理论零散。要改变这种现状,我们就要首先建构起比较完善的中国版画历史。研究中国的版画历史不能只停留在传统的辨伪、断代、考据等方法上,应该以开放的眼光来看待,一方面用西方引进的现代艺术理论提供的多元的视角来深入挖掘,另一方面我们也要关注中国版画本身具有的多样性线索,建立全面系统的中国版画历史。
Printmaking is an important subject in art. Printmaking also has a long history of culture in China. However, at present, the research on printmaking in our academic circles is still not deep enough, mainly in the absence of systematic and theoretical fragmentation. To change this situation, we must first construct a relatively complete history of Chinese engraving. Studying the history of printmaking in China can not only stay on the traditional methods of distinguishing, examining, examining, examining and examining, but should be viewed in an open manner. On the one hand, it should be further tapped with the multi-perspectives provided by the Western modern art theory. On the other hand We must also pay attention to the diversity of clues that the Chinese print itself has and establish a comprehensive and systematic history of Chinese printmaking.