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莫言的长篇小说《蛙》灵活运用了小说、书信和话剧的多种文体,充分发挥文体互渗的优势。在文体互渗中又有从内到外多重视角叙述故事的叙事手段。《蛙》是文体和叙事的双重创新成果。
Mo Yan’s novel “Frog” has flexibly used many kinds of styles of novels, correspondences and plays, and gave full play to the advantages of style and mutual infiltration. In stylistic infiltration, there are also narrative instruments for narrating stories from multiple perspectives inside and outside. “Frog” is a double innovation of style and narrative.