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近年来,有一系列风格类似的“另类”古典文学赏析类作品,以其“三分文本,七分故事”的非传统叙述方式,受到了诸多读者的追捧。令人遗憾的是,学者们少有对其本质特征的分析,或不屑一提。因此本文拟借用大众文化的相关理论,分别从作者、文本与读者三方面来探讨“另类”古典文学赏析类作品的瑕瑜,以填补文学史上的空白,而这对于该类作品在创作上的更新突破,也是十分必要的。
In recent years, there have been a series of works of similar genre “alternative” classical literary appreciation category, with its “three-part text, seven stories” unconventional narrative style, has been sought after by many readers. Unfortunately, scholars rarely analyze their essential characteristics or disdain them. Therefore, this article intends to borrow the relevant theories of popular culture to explore the flaws of “alternative” classical literary appreciation works in three aspects: the author, the text and the reader, so as to fill the gaps in the history of literature. On the update breakthrough, it is also very necessary.