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这鹿,太肥硕(这隐含着猎人的巨大喜悦),鹿肉的香味,鹿皮的温暖,突然出现。鹿猝不及防。猎人饿狼一样偷袭而来,紧紧跟随的是凶残的猎犬。野鹿扭身欲逃,它的巨大的绵延着的大角已经转了过去,后侧的右腿正用力蹬。一瞬间那些肌肉憋足了劲,血在涌。猛一看,鹿有点臃肿,但细看,那是特别的凿法,鹿的每一块肌肉骨骼都隐隐欲现。那种野性,只有噬肉者才能感觉到。即便这样,野鹿也难以活着捕获。偷袭,加上猎犬的围堵,才不过是将鹿逼上悬崖,而成年鹿,它们像悲壮的殉难者,无一例外地跳崖。那只是一瞬间的动与静。汉代的南阳石刻,要比这完美和讲究多了。艺术从那时已经开始堕落。现在看到的是,朴实,粗糙,錾刻者还无法在岩石上精细地控制凿子,不能决定一切。决定一切的是命运。錾刻者,从鹿的尾骨处开始一根有力的线,经过背部隐约露出的脊骨,向前,经
This deer, too fat (which implies a huge hunter’s delight), the smell of venison, deerskin warm, suddenly appeared. Deer caught off guard. Hunter hunted like the same from the wolf, followed by the cruel hunting dog. Deer twirled, its huge stretch of large angle has been turned over, the right leg is hard on the back of the pedal. Moment of those muscles breezed, blood in Chung. A glance, the deer a bit bloated, but look, it is a special chisel method, deer every muscle skeleton are hidden. The kind of wild, only the flesh to feel it. Even then, wild deer is hard to catch alive. Attack, together with the siege of a hound, is nothing but deer on the cliff, and adult deer, they are like tragic martyrs, without exception, jump the cliff. It is just a moment of movement and calm. Nanyang stone carvings in the Han Dynasty, more perfect than this and pay more attention. Art has since fallen. What we see now is that the simple, the rough, the carver can not finely control the chisel on the rock and can not decide everything. It is fate that decides everything.錾 engraver who, starting from the deer’s coccyx Department of a strong line, through the back of the looming spine, forward, by