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浦均的山水将传统表现方法与对自然的切实感受巧妙地融为一体,探索性地运用了直线语言,并将自己对用水的理解与造境相统一,既有传统的意境,又自生情趣,从而形成了自己的主导语言。他以“直线”画山,以“直线”写水,他的“直”并不拘泥,而是以“直线”语言贯穿融会于通幅之中,力求灵动多变,苍润兼济,着力于深邃的意境。他的画协调生趣,平淡而宁静,其作品中透出的气息可窥出其画人合一的品质。
Pushan’s landscape integrates the traditional methods of expression with the realistic feeling of nature, explores the linear language exploratively and unifies its understanding of the water with the environment, both traditional and self-interested , Thus forming its own dominant language. He painted mountains with “straight lines ” and wrote “” straight lines “. His ” Straight “does not stick to muddiness, but uses ” straight line Change, Cang Run and economy, focus on deep artistic conception. His painting is harmonious and interesting, dull and quiet, and the breath of his works reveals the quality of his paintings.