女性,如何创作诗歌而不止是女性诗歌

• 作 者: 倪志娟
• 出 处: 诗潮
• 发表日期: 2014年10期
• 关键词: 女性诗歌 女诗人 读者数量 奥利弗 性别政治 我的女儿 自我克制 代际传承 结婚生子 结论性

从总体上而言,我认同西渡的观点,他将女性诗歌与诗歌区分为两个不同内涵的概念,在此基础上,他比较客观地呈现了一个事实:“从世界范围看,无论古今,女诗人写的也大多是女性诗歌;女性诗歌缺少一个绝对的视野,缺少一点无我的精神,也缺少一点抽象的能力;女性诗歌的读者数量并不能弥补女性诗歌在质量上和价值上的某种损耗。”但我对西渡总体性的认同并不代表我完全认同其中某些结论性的观点,比如:“女诗人把世界想象成男性的;男诗人则既可以把世界想象成男

On the whole, I agree with Xidu. He divided feminine poetry and poetry into two concepts of different connotations. On this basis, he presented a fact more objectively: ”From a global perspective, In ancient and modern times, women write poems are mostly female poetry; female poetry lacks an absolute field of vision, lack of no-self spirit, lack of abstract abilities; the number of female poetry readers does not make up for the quality and value of female poetry . “But my overall approval of the Western crossing does not mean that I fully agree with some of the concluding observations, such as:” A female poet imagines the world as a male; a male poet can both turn the world Imagine being a man