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佛禅思想、观念、情感、意识和思维模式对金朝文学的艺术表现形式和手段的影响集中体现在意境营构、夸诞玄想和求真征实三个方面。金朝文学对意境营构的追求主要反映在诗歌创作上,以撷取“现量境”、无所执著和追求“境生象外”为基本特点。佛典禅籍夸诞玄想、高度形象化的宣教手法对于丰富金朝诗、文、小说、戏曲的艺术表现能力有深刻而显著的意义。立足于“真空”、“假有”的理论基础之上并强调以直觉的方式把握真如、实相的佛家“真实”观对金朝作家主张“亲历”、“亲证”和体验生活、求真征实的创作理念也有一定的借鉴作用。
The influence of the Buddhism and Zen thoughts, ideas, emotions, consciousness and modes of thinking on the artistic expression forms and means of the Jin dynasty literature is embodied in three aspects: the construction of mood conception, the exaggerated imagination and the truth seeking. The pursuit of the conception construction in Jin dynasty literature is mainly reflected in the poetic creation, with the basic characteristic of “capturing the current situation”, “being indifferent” and “pursuing the outside”. Buddhism, Zen books extolled profound imagination, highly entertaining practices for enriching the Jin Dynasty poetry, literature, fiction, drama, artistic expression has profound and significant significance. Based on the theoretical foundation of “vacuum” and “falsehood”, this paper emphasizes that intuition should be used to grasp the truth and truth of Buddhism “Pro card ” And experience life, truth-seeking concept of creation also has some reference.