论文部分内容阅读
二百多年前,徽班艺人高朗亭率领着他的三庆班进京演出,随后春台班、和春班、四喜班也相继登上京城的舞台。四大徽班的进京,不仅被戏曲史家视为京剧发展史上的重要里程碑,也在中国文化史上留下浓墨重彩的一笔。自此,以徽剧为纲,花雅合流,熔铸出国粹京剧。徽班进京不仅揭开了二百年京剧史波澜壮阔的序幕,对推动中国戏曲蓬勃发展,也具有划时代的重大意义。
Two hundred years ago, emblem class artist Gao Langting led his three celebration class performances in Beijing, followed by spring class, and the spring class, Saxi class have also boarded the stage of the capital. The four emblem classes to Beijing, not only by the opera historians as an important milestone in the history of the development of opera, but also in the history of Chinese culture left a strong impression. Since then, with Anhui Opera as the key link, flowers and flowers merge, casting a quintessence of Beijing Opera. The emblem class to Beijing not only opened the grand opening of the 200-year Beijing Opera history, but also had epoch-making significance in promoting the vigorous development of Chinese drama.