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还是这些作曲大师——威尔弟、比才、唐尼采蒂……;还是这些经典剧目——《弄臣》、《托斯卡》、《卡门》……。所不同的只是这张唱片的主角——安德莱·波切利。近来名声鹊起扶摇直上的波切利,继在宝丽金成功地推出《波切利》和《罗曼史》两张CD后,再度推出直逼歌王第四宝座的新专辑《歌剧咏叹调精选》。波切利的嗓音确实无可挑剔,虽说在换声处的痕迹略为明显了点,但那挺拔的高音仍能使人为之一振,而他在中低音区的表现更是干净清朗,简直无懈可击。他没有帕瓦洛蒂的华丽,但却多了一分自然;没有卡雷拉斯的浪漫,但却多了一分清爽;比多明戈少一些自负,但却多了一分亲切。帕瓦洛蒂在听了他的演唱会后惊叹:Who is this guy!“(这小子是谁!)
Or these composers - Will, brother, Donizetti ...; or these classic repertoire - ”jesus“, ”Tosca“, ”Carmen“ ....... The only difference is the protagonist of this album - Andrea Bocelli. The recent rise of the reputation of the Bocelli, following the successful launch of the Polygram ”Bocelli“ and ”Romance“ two CDs, once again introduced the fourth throne of the king directly to the album ”Opera Aria Selection.“ Bocelli’s voice really impeccable, although traces of the sound at the sound is slightly obvious point, but that upright treble can still make one person vibration, and his performance in the bass area is even more clean and clear, almost impeccable. He did not Parva Loti gorgeous, but a little more natural; no Carreras’s romance, but a little more fresh; less than Domino less conceited, but a little more cordial. Pavarotti exclaimed after listening to his concert: Who is this guy! ”" (Who is this kid!)