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不知从何时起,却延续到了今天,对戏曲表演成功与否的铁定标准则是有没有塑造鲜明的人物形象。塑造鲜明的人物形象真的是戏曲表演的最高境界吗?我深表怀疑。中国传统文化中的形象概念指形状相貌,与今天评价标准的形象区别较大,而作为中国传统美学评价体系中的范畴不用形象,而用形神与意象。形指人或事物的外在形体,神指人或事物的精神风貌。至于意象则是中国传统美学论著中出现最频繁、论述最广泛也最深刻的一个概念。意象的
I do not know since then, but continue to today, the ironclad standard for the success of the performance of the opera is there is no shaping figure. Shaping the vivid figure is really the highest level of opera performance? I am deeply skeptical. The concept of image in Chinese traditional culture refers to the shape and appearance, which differs greatly from the image of today’s evaluation standards. However, as the category in the evaluation system of traditional Chinese aesthetics, it does not use the image but the image of God and image. Form refers to the external body of people or things, God refers to the spirit of people or things. As for the imagery, it is a concept that appears most frequently and most widely in China’s traditional aesthetics. Imagery