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我觉得强调中西界限和画种界限是个陷阱,虽然对比起来有不同,但是在强调各自的时候难免会以防守的态度来面对彼此。《艺术沙龙》:怎样理解中国画的传承与创新?关于时代性,你有什么看法?李振:从艺术本体来看,创作应该是时代的审美呈现。中国画是中国人的观照方式,是血液里面流淌的东西。创新本身不是目的,而是面对艺术、面对生活的积极态度。《艺术沙龙》:对于中西界限、画种间的界限,你的态度是什么?李振:我觉得强调中西界限和画种界限是个陷阱,
I think it is a trap to emphasize the boundaries between China and the West and draw the boundaries of painting. Although they are different in comparison, they will inevitably face each other in a defensive manner when emphasizing their own. “Art Salon”: How to Understand the Inheritance and Innovation of Chinese Painting? What do you think about the age? Li Zhen: From the perspective of art, creation should be the aesthetic presentation of the times. Chinese painting is a Chinese way of seeing, is flowing inside the blood thing. Innovation is not an end in itself, but a positive attitude in the face of art and life. “Art Salon”: What is your attitude toward the boundaries between Chinese and western cultures and paintings? Li Zhen: I think it is a trap to emphasize the boundaries between China and the West,