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上世纪二三十年代,插图杂志发展迅速,新闻纪实摄影与商业纪实摄影作品激增,新兴的纪实摄影师,首选的机器是小型的徕卡相机。带着这种灵巧的图像狙击武器,他们游走于街头,随时切近、扫射马路上发生的一幕幕情景,他们发展出一种特别的视觉语汇——小型相机视觉美学,而美国摄影家安德烈·柯特兹(AndréKertéz)则是其奠基者。布拉塞曾这样评价柯特兹:“柯特兹有着对伟大的摄影家
In the 1920s and 1930s, illustration magazines were rapidly developing. The explosion of documentary photography and commercial documentary photography, the emerging documentary photographers, and the preferred machines were small Leica cameras. With this dexterity of image sniper weapons, they walked the streets, cut in and out of the streets and swept through the scenes of the streets and they developed a special visual language - the small-camera visual aesthetics, while American photographer Andrea André Kertéz is the founder. Blaser once commented Curtiz: ”Curtiz has a great photographer