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如果将艺术家徐福厚的前期作品与近期作品做一番仔细的比较,我们并不难发现:他的价值追求其实一直没有改变过,那就是力图将古典艺术的精神,即对永恒与崇高、单纯与静穆的孜孜追求,赋予当代性的阐释与特征。但前后两个阶段对艺术的表现则明显不同。在前者,他显然借用的是西方古典艺术的写实风格,如作品《陈述》《旗祭》《若木》等就是很好的证明。非常有意
If we make a careful comparison between the previous works by artist Xu Fuhou and the recent works, we can easily find out that his pursuit of value has not changed in the past, that is, he tries his best to separate the spirit of classical art, that of eternity and loftiness, Diligently pursuing with Jing Mu, giving contemporary interpretations and characteristics. However, the two stages before and after the performance of art is significantly different. In the former, he apparently borrows the realistic style of western classical art, such as the works “Statements”, “Flag Festival” and “Wakabayashi” which are very good proofs. Very interested