论文部分内容阅读
主持人语本期重点介绍的是安徽省书画院“黄山风”晋京展览作品,安徽省是为中国美术史作出过重大贡献的地区,徽派文化在中国历史上曾几度辉煌,就此而言,“黄山风”书画展的意义是超出画外的,它意味着安徽画家的不甘寂寞,重建辉煌的坚定信念。安徽书画院的画家群体,已经形成梯队,老中青结合,尤重把中青年画家推向前台,这使得他们获得了在传统中延伸,在新起点上创造的整体阵容。我们从本期名家刘书民的作品中,可以看到当代山水画新的审美形态与表现方式,整体性融合,南北兼具的画风,可能是未来中国画发展的基本趋向,安徽“黄山风”书画展也正是以“海纳百川,有容乃大”的气度,以兼具南北画风的丰富性,令人耳目一新。当然,作为新一代的安徽画家,面对前辈的辉煌,难免不产生一种压力,这实属正常:读者看后的反映将会是更为全面,更为客观的感受和评价。
Host language This issue focuses on the Anhui Provincial Academy of painting and calligraphy “Huangshan style” Jin Jing exhibition works, Anhui Province is the history of Chinese art has made significant contributions to the region, the Huizhou culture in China history has been several brilliant, in this regard Say, “Huangshan style” painting and calligraphy exhibition is beyond the meaning of painting, it means that Anhui painter’s unwillingness to rebuild brilliant firm conviction. The group of painters in Anhui Painting and Calligraphy Institute has formed a combination of echelon, old and young, with a special emphasis on bringing young and middle-aged painters to the forefront. This has given them an overall line-up that has been extended in the tradition and created at a new starting point. From the works of current famous artist Liu Shumin, we can see the new aesthetic forms and expression styles of contemporary landscape painting. The integration of the whole and the style of both the north and the south can be the basic tendency of the development of Chinese painting in the future. The painting and calligraphy exhibition “Huangshan Style” It is also with “henachizhuan, there is capacity is great,” the tolerance, both north and south to enrich the style of painting, it is refreshing. Of course, as a new generation of Anhui painters, in the face of the glory of their predecessors, it is inevitable that there will not be a kind of pressure. This is indeed normal: the readers will see the reflection will be a more comprehensive and objective feeling and evaluation.