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立足身体语言,发掘多样化的戏剧表达,尤其是深入话语所无力抵达的戏剧意境,这些都不失为积极的艺术探索,原本无可厚非。然而,当戏剧人集体对身体戏剧趋之如鹜,甚至将之抬举到一统之位时,就不得不让人心生警惕了,这究竟是潮流还是跟风,是趋势还是盲从?近年来身体剧场蔚然盛行,尤其在青年戏剧领域愈演愈烈。与之相应的是,言语缺席、剧本退场、文学隐匿的状况加速恶化,身体戏剧俨然已有独领风骚之势。考察国内一些青年戏剧人活跃的舞台,从中
Based on the body language, to explore a variety of dramatic expression, especially the depth of the speech can not reach the dramatic artistic conception, these are after all, a positive exploration of the arts, was beyond reproach. However, when the dramatis personae collectively summon the body drama and even lift it to the position of reunification, people have to be on guard. Is this a trend or a trend? Is it a trend or a blind obedience? In recent years, Popular, especially in the field of youth drama intensified. Correspondingly, the absence of speech, the exit of the script, the exacerbation of the literary hiding situation, and the emergence of body drama seem to have dominated the situation. Investigate the domestic stage of some young theater active, from which