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嘎赤派艺术向来以卓越的染工著称,画面中到处可以见到不同渲染效果强大的表现力,使得画面出现微妙的虚实层次。肌肤和花卉部分以较浅的彩线勾勒,在多层深入的渲染之后,产生虚幻轻柔的效果。这件文殊菩萨唐卡是我在康巴风格唐卡中见过的少数完美作品之一,其艺术感染力和绘画技艺都达到极高的水准。它糅合着正道的噶玛噶赤和勉唐派的技法特点,但又别出新意,自成一家。它不同于早期噶玛丹萨寺和噶玛沟的噶赤唐卡,又区别于德格司徒系的经典范例,与近年散
Gaacai Art has always been renowned for excellence in the dyeing process, the picture can be seen everywhere in the rendering of a strong expression of force, making the picture appear subtle level of actual conditions. Skin and floral parts are outlined with lighter colored lines, creating an illusory, soft look after multiple layers of in-depth rendering. This Manjushri Thangka is one of the few perfect works I have ever seen in Kham Thang Thangka. Its artistic appeal and painting skills all reach extremely high standards. It mixes the right way of Karma Kargan and Mian Tangpai techniques, but do not come up with new ideas, self-contained. It is different from the early Karma Danshan Temple and Karma ditch Karma Thangka card, but also different from the classic case of Degudiu department, and in recent years