中庸文化观与中国画“现代性”

• 作 者: 张永山
• 机 构: 福建三明学院艺术系 主任、副教授
• 出 处: 美术观察
• 发表日期: 2003年07期
• 关键词: 中庸文化 中庸思想 中学为体

一、传统中庸观的含义 中庸观的主体精神是兼容并蓄,在事物的和谐统一中求取人文的本质精神。也是一种文化发展方法论。“中庸”即“不偏不倚、平平常常”,包含着“中正仁和”的传统精神,反对奇异怪诞哗众取宠,弘扬圣人之道、君子之风。中庸思想流传至深至久,根深蒂固,影响着东方文化的思维观念。笔者认为它对今天中国画的继承与创新仍具有许多启示意义。

First, the meanings of the traditional meanings The meanings of the main body of the spirit is inclusive and seek the essence of the human spirit in the harmonious unity of things. It is also a method of cultural development. The “Golden Mean” means “impartiality and commonplaceness.” It contains the traditional spirit of “Zhongzhengrenhe” and opposes the curious extras of grandstanding, grandchildren and gentlemen. The doctrine of the mean has spread to deep, deep-rooted and influenced the thinking of oriental culture. The author thinks it still has many enlightenment significance to the inheritance and innovation of Chinese painting today.