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纸本130cm×33.4cm广州艺术博物院藏上世纪八十年代,赖少其先生进入了书画创作的大丰收年代,书法的创作方式以“隶书”和“行书”两种书体为主。其书法创作在某种方式上也与书写的内容相互融合,相得益彰。就如《芝罘怀古》一首,此作为作者1982年秋天到烟台芝罘触景生情,吟之而作,借助秦始皇统一六国而歌颂共产党的伟绩。诗文读起来气势恢宏,慷慨激昂,豪情万丈,他选用了凝重刚健、犹如宝刀出鞘、沉着痛
Paper 130cm × 33.4cm Guangzhou Art Museum Collection Eighties of the last century, Mr. Lai Shaoqi entered the era of the great harvest of calligraphy and painting creation method of calligraphy to “scriptures” and “scriptures” two kinds of books as the Lord. In a certain way, his calligraphy is also integrated with written content, complementing each other. As one of the “Zhifu nostalgia,” as the author to the autumn of 1982 Yantai Zhifu touched scenes of love, Yin and made, with the Qin Shi Huang unified the six countries and praised the great achievements of the Communist Party. Poetry read magnificent, impassioned, lofty, he chose dignified and healthy, like a knife out of the sheath, painful