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最近,云南省大理白族自治州白剧团,首次来京演出《红色三弦》,受到首都观众的热烈欢迎。这个戏以崭新的主题思想和具有独特风格的艺术形式,成功地反映了当前我国少数民族地区文化战线上的两种思想和两条道路的斗争;同时也反映了少数民族地区社会主义建设的蓬勃发展和少数民族业余文艺新生力量的健康成长。《红色三弦》剧中贯串着一条阶级斗争和两条道路斗争的“红线”,反映了一场人民内部矛盾的斗争。贫农出身的民间老艺人董晋才,由于在解放后这些年来,没有很好进行思想改造,所以把旧文化
Recently, the White Troupe of Dali Bai Autonomous Prefecture of Yunnan Province came to Beijing for the first time to perform the “Red Sanxian” and was warmly welcomed by the capital’s audience. This drama has successfully reflected the two ideological and two-way struggles on the cultural front in the ethnic minority areas in our country with brand-new theme ideas and unique forms of art. At the same time, it also reflects the vigorous development of socialism in ethnic minority areas Development and the healthy growth of minority freshmen amateur literary forces. The “Red Sanxian” drama runs through a “red line” of class struggle and two road battles, reflecting a struggle among the people within the contradictions. Since the liberation of Dong Jincai, an old private artist who was born of poor peasants, he did not reform ideologically well in these years. Therefore,