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“和声”书题采用这个词而不用更广义的词“音乐”或“作曲”,为本书的研究范围划定了界限。本书所强调的是“点对点”的细部技术,同时也兼顾到完整作品和个人风格。本书目的不在于要继续扩大那早已十分可观的评论性和历史性著作堆,而是要力所能及地回答这样一个问题:“为什么二十世纪的音乐听起来和以前的音乐那样不同?”是作曲家们使用了一种全新的音乐语言,还是只是用了一种词汇大为丰富得多的传统语言?如果我们能更仔细地分析所用的这种语言,逐步地理解这种语言,我们也就能
The word Harmony uses the word instead of the broader word “music” or “composition,” delimiting the scope of this book. This book emphasizes the “point-to-point” details of the technology, but also take into account the complete works and personal style. The purpose of this book is not to continue expanding the long, already impressive review of historic works, but to answer the question, “Why is the music of the twentieth century so different from the previous music?” Do they use a whole new musical language or just use a traditional language that is much richer in terms? If we analyze the language in more detail and understand the language step by step, can