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本文从上世纪 2 0、 30年代 5部经典文本 (批评和作品 )入手 ,说明左翼文学的思想基础和经验世界是奠基于五四文学的审美记忆和思想推理的基础之上 ,而五四新文化运动中的周作人、鲁迅分别从知性和审美塑造了“时代精神”———五四时间。而所谓的“五四时间”是个虚无的观念 ,这个具有现代性基本要素的观念为新文化的创生开辟了道路 ,但是道路并不等于意义。周氏兄弟先后对“五四时间”的反省强烈透露出他们对开路的不安。
This essay begins with five classic texts (criticism and works) in the 1920s and 1930s. It shows that the ideological basis and the empirical world of left-wing literature are based on aesthetic memory and ideological reasoning based on the May 4th literature. Zhou Zuoren and Lu Xun in the cultural movement shaped “the spirit of the times” from the intellectual and aesthetic aspects respectively - the May 4th Movement. However, the so-called “May Fourth Time” is an empty concept. This concept of the basic elements of modernity opens the way for the creation of a new culture. But the road does not mean meaning. The Zhou brothers repeatedly inspected the “May 4th Time” and revealed their unease with the open road.