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清末黔籍书家姚华,擅书画,通小学,尤擅篆隶。其从研习清代书法界的艺术取向到提出“寓碑于帖”的书法观,可谓创获甚多。本文从姚华书学的形成背景、前后转变过程以及书法特征:一方面切入,探讨姚华的书学历程及其对前辈书家的传永与开拓。
In the late Qing Dynasty writer Yaohua, good at painting, through primary school, especially good seal. From the study of the Qing Dynasty calligraphy art orientation to put “calligraphy in the post ” calligraphy view, can be said to get a lot. This paper starts from the forming background, the transition process and the calligraphic features of Yaohua calligraphy: on the one hand, it explores Yaohua’s calligraphy history and its spread to predecessors.