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杂文是在祖国文化土壤里“土生土长”起来的一种文学体裁,大抵属于文艺性政论文。自战国时代以来,诸子百家的著述中就多有这类文章。“五四”以后,以鲁迅为代表的革命作家,对于有害的事物,揭微显隐,痛下针砭,形成了现代杂文的新传统和新风格。新中国成立后,尤其是党的十一届三中全会以来,杂文创作队伍不断扩大,创作水平不断提高。现在,祖国大陆的杂文已成为对新生的进步的事物给以支持和歌颂,对落后的有害的事物给以讽刺和抨击的灵便文体。然而,由于海峡两岸的长期隔绝,大陆杂文爱好者对台湾地区杂文创作的发展状况、最新动向,所知较少。近几年来,虽然随着两岸文化交流进一步扩大,柏杨等少数几位
Essay is a kind of literary genre “born and raised” in the soil of the motherland and belongs to the literary and art political essay. Since the Warring States Period, there have been more such articles in the hundreds of philosophers. After the May 4th Movement, the revolutionary writers represented by Lu Xun revealed the new hidden traditions and new styles of modern essays about the harmful things. Since the founding of New China, especially since the Third Plenary Session of the 11th CPC Central Committee, the essay writing team has continuously expanded and the level of creation has been continuously improved. Now the essays in the mainland of the motherland have become a flexible style of giving support and praise to the progress of the newborn and satirizing and attacking backward and pernicious things. However, due to the long-term isolation between the two sides of the Taiwan Strait, mainland essayists know little about the latest developments in the development of essays in Taiwan. In recent years, although with the further expansion of cross-Strait cultural exchanges, a few such as Bo Yang