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近期,有两件事引得“新文人画”再度成为热议话题:一是“新文人画的领军人物”朱新建先生与世长辞;二是“真正的文人画家”刘斯奋先生的“贯通融会——刘斯奋书画诗文艺术展”在中国美术馆开展。观者不无惊愕地发现:刘斯奋先生散淡的写意之作和朱新建先生充满情欲的宣泄表达,风格是如此迥异,却都属于所谓“新文人画”的“代表之作”。在中国历史上,丈人画的面貌清晰可辨。它有着“诗书画印”相结合的基本形式,还有着宁静含蓄的脱俗格调。而在当下,“新文人画”的世界里,古风犹在的有之、充满肉欲和亵玩态度
Recently, there have been two things that led to the “new literati painting” once again becoming a hot topic: First, “the leader of the new literati painting” “Mr. Zhu Xinjian died in the world; Second,” real literati painter “Through integration - Liu Shiming painting and calligraphy poetry and art exhibition ” in the China Art Museum. The observer found, without any surprise, that the style of Mr. Liu Si-fen’s fragmented expression and the expression of his passionate expression of ventity are so different, but all belong to the “representative works” of the so-called “scholarly painting” . In Chinese history, the appearance of Zhang’s wife is clear and legible. It has a “poetry, calligraphy and painting ” the basic form of a combination, but also quiet and subtle refined style. In the present, the world of “new scholarly paintings” is still there, full of sensuality and obscene attitude