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新的艺术语言,艺术形式,总是在复杂矛盾的环境下进行的。它的形成需要一种铤而走险的勇气,以及一定的艺术敏感力和洞察力。只有不迷恋既有的艺术状态,才可能具有否定和批评的勇气。在十九世纪六十年代的欧洲画坛,就有这么一批人,在传统的绘画土壤上酿成了一场真正的视觉革命。从马奈,莫奈到贝尔特·莫里索,从修拉到西涅克,从塞尚,梵高到高更这些印象派的艺术大师们曾为我们书写了怎样一部光与色的神话!
New artistic language, art forms, always in a complex and contradictory environment. Its formation requires a daring courage, as well as some artistic sensitivity and insight. Only by not infatuating with the existing state of art can we have the courage to reject and criticize. In the European painting scene of the 1860s, there were so many people who created a true visual revolution in the traditional painting soil. From Manet, Monet to Berthe Morriso, from Sora to Westark, the masters of Impressionism from Cezanne, Van Gogh to Gauguin have written for us how a light and color myth !