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李真对中国传统文化有着深厚的修养,他不仅潜心研究中国传统文化,在儒、道、佛方面也都有所涉及。正是如此,在他的雕塑作品中,我们能感受到东方美学所推崇的气韵。虽然李真的雕塑是从佛像艺术创作开始,但随着时间的推移,人生观价值观的改变,开始自由地创作,更加关心人与自然,人的精神,以及人性的不完美。也许你一开始是被雕塑的色块面所吸引,完美的弧度,流动的线条,但气体与能量的极限扩张效果,又让你感受到它们内在生命的存在。李真的雕塑,浑圆敦厚的外表之下,充斥着一种能量,在肌理与线条之间有超强的融合性。李真曾说,“通常我们看到黑色的物质,总是沉重
Li Zhen has profound training in Chinese traditional culture. He not only devoted himself to studying Chinese traditional culture but also involved Confucianism, Taoism and Buddhism. It is for this reason that in his sculptures we can feel the aura of Oriental aesthetics. Although Li Jin-sculptures began with the creation of Buddhist statues, as time passed, the values of life-values changed and began to be freely created. They were more concerned with man and nature, human spirits and the imperfection of human nature. Perhaps the beginning of you is attracted by the sculpture’s color surface, the perfect arc, the flow of lines, but the ultimate expansion of the gas and energy effects, let you feel the existence of their inner life. Li really sculptures, round the appearance of Dunhou thick, full of a kind of energy, between the texture and the lines of super fusion. Li Zhen once said, ”Usually we see the black material, always heavy