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阿瑟·米勒的首部轰动性作品《推销员之死》于1949年发表,曾荣获普利策奖及纽约剧评奖,为作者赢得了国际声誉。从社会历史批评的角度看该剧的主人公威利,其悲剧的产生不能仅仅归结于他个人的因素,当然更不能一味地推到社会的层面。站在精神分析的角度,运用弗洛伊德的人格结构理论来分析和解构威利的人生经历,进一步揭示出小说中包含的精神意识,必将了解到一个在自我、本我、超我的三个人生层次中,情绪焦躁不安的“新”的威利艺术形象,这一形象也将更好地呈现
Arthur Miller’s first sensational work, “The Death of a Salesman,” was released in 1949 and has won the Pulitzer Prize and the New York Drama Critic Award for its author’s international reputation. From the point of view of social and historical criticism, the heroine of the play, whose tragedy can not only be attributed to his personal factors, can not of course be blindly pushed to the social level. From the perspective of psychoanalysis, using Freudian theory of personality structure to analyze and deconstruct Willie’s life experience and further reveal the spiritual consciousness contained in the novel, we must understand that in a self, self, super self The image of the Willie art image of the three levels of human emotions restless, “new”, will also be better represented