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现代越剧《怀孕之后》是我从上海戏剧学院导演系进修班毕业后独立执导的一个二十分钟的小戏。由于剧本剧情单薄,矛盾的激化和解决过程缺乏合理性,当时编排的时间又紧,征得编剧的同意后,我决定结合所学的导演理论知识,在二度创作上对剧本进行大幅度的调整和修改。《怀》剧中的“婆婆”是个“心直口快、辣椒嘴巴豆腐心”的传统农村妇女形象,认为女人传宗接代是天经地义的事,而且只有生个男孩才可以光宗
Modern Yue Opera “After Pregnancy” is a twenty-minute mini-drama that I independently directed after graduating from the director’s course of Shanghai Theater Academy. Due to the flimsy scenario and the intensification of contradictions and the lack of rationality in the process of resolution, the layout time was tight. With the approval of screenwriter, I decided to use the theoretical knowledge of directors to make a drastic Adjust and modify. The “mother-in-law” in the “Huai” drama is a traditional rural woman whose image is “heart-straight, chili mouth tofu” and considers that it is only natural that a woman should be passed on from generation to generation.