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初夏的阳光很是炽烈,但它投射在窗外浓密树丛上的反光在折射入室的时候,就已经是非常的柔和了。在如此带着绿意的光下看杨国华先生那些画幅很大的反转片作品,实在是件令人惬意的事情。一帧帧地读下去,就读到了峨眉山的银装素裹、青城山的清幽天下;就读到了龙门山的飞瀑流泉、瓦屋山的杜鹃烂漫,当然还有那山中的一泓溪涧,溪涧中的几块石头,石头上的一痕青苔,以及山林中的一树绿叶,绿叶上的几路经脉,以及雪、阳光、空气等等。而杨先生似乎也没有更多的言语,只是一任我一帧帧随意地看下去,也就一任我的思绪在那些画意精美的图片上任意飘荡起来了。
The early summer sunshine is blazing, but the reflections it casts on thick trees outside the window are already very soft when refracted. It is really a pleasant thing to watch Mr. Yang Guohua’s large-scale anti-transitional works with such greenery. Read a frame to read, read the Emeishan silver wrapped, the Qing Qing Qing world; studied in the Longmen Shan waterfalls, Wawu Shan rhododendron brilliant, of course, there is a mountain stream, a stream in the stream A few stones, a trace of moss on the stone, and a green leaf in the woods, a few meridians on the green leaves, and snow, sunshine, air and so on. And Mr. Yang does not seem to have more words, just let me a frame to watch at random, also let my thoughts in those beautiful pictures of arbitrary drift up.