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尼采认为在古希腊悲剧之中,个体之中的日神冲动和酒神冲动这两种艺术冲动被调动起来,藉此人们可以超出个体性的边界进入到悲剧形而上学的世界之中,体会到与本源“生命”融合为一的快乐,从而可以积极地肯定生存。中期尼采放弃了早期的形而上学观点,转而从生存内部寻求超越其有限性的可能。他分析了个体生存的条件和方式,认为生存的本性在于其创造性。“自由精神”在打破各种既定原则或观念的束缚、回归自身创造性本性的过程中,彰显出一种不断超越自身的积极的生存方式。
Nietzsche believes that in the ancient Greek tragedy, the impulses of the gods and the impulses of the Dionysian within the individual were mobilized so that one can move beyond the boundary of individuality into the world of tragic metaphysics and realize that The source “life ” into a happy one, which can be positive to confirm the existence. In the mid-term, Nietzsche abandoned the earlier metaphysical perspective and instead looked for the possibility of surpassing its limits from the inside of existence. He analyzed the conditions and ways of individual existence, and believed that the nature of existence lies in its creativity. In the process of breaking the shackles of various established principles or concepts and returning to the creative nature of oneself, the “spirit of freedom” shows a positive way of living that continuously surpasses itself.