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不喜欢他的人,说他只不过是个业余画家;喜欢他的人,说他是百年难得一遇的笔墨奇才。从生前到身后,能“读懂”黄宾虹的人始终是少数。由“白”入“黑”读黄宾虹的画,首先要了解他的“黑”“白”分期。黄宾虹自幼习画,按照中国传统学习水墨画的方式,从临摹、拟古入手。习画早期,他就开始临习家藏或族中亲戚收藏的古迹,主要的临写对象有沈周、查士标、董其昌等,稍长临王蒙、石涛、龚贤等。这些文人画家的清旷笔墨对他影响
He does not like him, said he is only an amateur painter; like him, said he is a rare hundred-year pen and ink Wizards. From birth to behind, can “read ” Huang Binhong people are always a minority. From “white” into “black” read Huang Binhong’s painting, we must first understand his “black ” “white ” staging. Huang Binhong studied painting since childhood, according to the Chinese traditional way of studying ink painting, from copy, the ancient start. Early in his painting, he began to study monuments collected by relatives in his possession or ethnic group. The main objects of his writing were Shen Zhou, Charles Shi, Dong Qichang and others, a little further to Wang Meng, Shi Tao and Gong Xian. The clear brushwork of these literati painters affected him