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贝雷尼斯·阿博特（I3eleniceAbhat）曾对在胶片上“捕获”在人类肉眼面前转瞬即逝的运动的需要深深地入了迷。她的科学摄影术已经对“照相”这个术语赋予了新的含意。照相机的“客观眼睛”和光线在摄影乳胶上留下的“非人格性”的痕迹曾被看作科学记录上的强有力工具，实际上
Belenis Abbott was deeply intolerant of the need to “capture” the fleeting movement in front of human eyes in film. Her scientific photography has given new meaning to the term photographic. The “objective eye” of the camera and the “impersonal” traces of light on photographic latex have been seen as powerful tools in scientific records, in fact