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公出西宁,遇甘肃省话剧团的几位朋友,与他们一夕夜谈,使我颇受教益。目前话剧演出上座不佳,压力甚大。为完成经济任务和场次指标,为能发出薪金和奖金,许多剧团不得不千方百计抓票房价值;体制改革声中,也有某些人片面理解承包,盘算着如何多抓挠点收入。其结果是,上座情况改善不大,而演出质量明显下降,剧团声望受损。甘肃省话剧团是个在艺术上有成就、在全国有影响的剧团,他们创作、演出的《在康布尔草原上》、《远方青年》和《西安事变》,曾三次进京演出,
Public Xining, a few friends in case of Gansu Repertory Theater, night talk with them overnight, so I am quite teaching. At present, poor performance of theater performances, the pressure is great. In order to fulfill their economic tasks and quotas, in order to be able to issue salaries and bonuses, many troupes have to make every effort to grasp the box office value. In the sound of structural reforms, some people also understand the contracting one-sidedly and plan how to make more profits. As a result, there was not much improvement in attendance, and the quality of performances dropped markedly, and the reputation of the troupe was impaired. The Repertory Theater of Gansu Province is an art troupe that has made great achievements in the country and has been influential throughout the country. During the performance and performance of “The Corps on the Grasslands”, “Youth from afar” and “Xi’an Incident”, Gansu Repertory Theater has performed in Beijing for three times.