从理想到现实的回归——中国当代艺术“文本”语境的研究

• 作 者: 徐亮 王维佳 陈丽君
• 机 构: 哈尔滨理工大学艺术学院,哈尔滨理工大学建筑学院,
• 出 处: 文艺评论
• 发表日期: 2015年09期

一、理想主义的变迁——“文革”至20世纪80年代的中国当代艺术中国人追寻现代的理想要从五四时期开始。从那时起,中国近现代艺术的发展就呈现出复杂性及特殊性。一个世纪的现代之梦,使得国人在追逐理想的路上狂奔。在面对传统与现代文化的问题上,变革的思想已然渗入社会的各个方面。理想主义的精神一直变幻萦绕于20世纪,直至世纪之交才逐渐消逝。对于传统的批判以及寻求创新的渴望在一段时间内交替成为文

First, the idealist changes - “Cultural Revolution” to the 1980s Chinese contemporary art Chinese people’s pursuit of modern ideal from the May Fourth period. Since then, the development of modern Chinese art has shown its complexity and particularity. A century of modern dreams, so that people in the pursuit of the ideal road bolted. On the issue of confronting the traditional and modern cultures, the idea of ​​change already permeates all aspects of society. The spirit of idealism has been lingering in the 20th century until the turn of the century. For the traditional critique and the desire to seek innovation for some time to turn into a text